Elsie received the guidance, traditional and cultural
expertise from her grandfather. The traditional and cultural art forms that Elsie
integrated into her carvings, are not taught in any of the First Nations fine
art programs in Canada. Many First Nations artists have learned from their families
the stories and mythologies which they incorporate into the art. As they are passed
from generation to generation, the legends are preserved through family crests,
artifacts and hereditary legacies. These legacies are celebrated through potlatches
and ceremonies.
Elsie recreates her materials into minature ivory totems,
cups, knives, spoons, bracelets, pendants, earrings, necklaces and other jewellery.
She does many larger scale sculptures as well. She also fashions the various hand
tools, with which she creates her carvings. Some of Elsie's pieces are used as
memorial or ceremonial symbols. Several examples of Elsie's work are in private
collections, art galleries, institutions, or are on lifetime loan as showpieces.
Out
of respect for the animals who provide Elsie with her materials, she recreates
them into works of art that will immortalize them. This is what Elsie John does
best - it helps her to see and feel closer to the animals which have played such
an important role in her culture.
Selected Exhibitions, Commissions,
Collections, Film and Video:
1983, September 18.
Special Commission:
Mayor
William A. Lewarne of Burnaby selected Elsie John to produce a carved trophy base.
Her efforts resulted in an outstanding sculpture, incorporating the Raven, Eagle,
Whale and Salmon. This in turn was called the "Burnaby Cup", was officially
presented to Professor Takayoshi Makino, who in turn, will take it to Kushiro
for presentation to Mayor Wanibuchi in Japan - Burnaby's twin sister city. This
cup will be presented annually to Kushiro's citizen of the year.
1983 -
1986
Exhibition/Juried competition:
For 1984 & 1985 Elsie received 3rd.
place for the best booth for non-commercial Native Indian Art, this is an annual
Trade Show for Native Indian Artists in British Columbia.
Sponsored by the
Indian Arts & Crafts Society of B.C. Vancouver, British Columbia.
1985,
November 1,2,3 & 8,9,10.
Exhibition:
"National Indian Arts &
Crafts Show". Held at Edmonton and Calgary. Sponsored by the Alberta Indian
Arts and Crafts Society.
1985, February 6.
Presentation:
At the Parliament
Buildings, Ottawa, in the Prime Ministers office Elsie John presented one Nootka
Whalers Hat and one small Nootka weaved basket to Prime Minister Brian Mulroney.
Ottawa, Ontario.
1985, February 5.
Art Acquisition for permanent collection:
The
National Indian Art Centre selected by jury for acquisition to the Departments
permanent collection, one carved whale-bone vertebra; Title: Man & Raven Transformation,
and one carved whale tooth; Title: Nootka Whaler & Killer-Whale. Ottawa-Hull,
Ontario.
1985, June 27 - July 2.
National Juried Exhibition:
"Exhibition
of Traditional Indian Arts '85". Organized by the Indian Art Centre, an official
event of the Canada Canoe Festival. Elsie John's Walrus Tusk Totem, Titled: Eagle,
Killer-Whale and Raven, received a special merit award for 1st. place in the ivory
category and also 1st. place for entire exhibition. Canada at this time, had their
foremost Native Indian Artist enter their work for exhibition and for permanent
collection. Victoria Island - Ottawa Electric Building. Ottawa-Hull, Ontario.
1987,
May - October.
Touring Exhibition:
From the permanent Collection - The National
Indian Art Centre, Ottawa, Ontario. Three of Elsie's sculptures were chosen for
this tour. The University of Lethbridge, Edmonton, Alberta was one place.
1987,
October 15 - November 7.
Exhibition/Catalogue:
"Hands of Creation"
An exhibition of Northwest Coast Native Art. Art representing the finest art of
today in the styles of the seven mayor tribes of the Northwest Coast Native Indians.
Rose Elsie John's Mountain Goat Horn Spoon - Title: Raven, Whale & Bear, was
chosen for this occasion. Her statement for this spoon: 'It was a search for identity
which led me to gravitate towards my Nootka ancestry, the need for some cultural
roots, and those were the only ones I had". Inuit Gallery of Vancouver Ltd.,
Vancouver, B.C.
1988, June 10,11,12.
Exhibition/Juried Competition:
International
all Native Indian Art, exhibition and competition held at Santa Monica, California.
Elsie received all-around, Best of Show - Trophy. The Title: "Mystical Creatures",
Moose Horn sculpture, inlayed with abalone shells and a yellow cedar base. Approximately
500 booths entered.
1988, February 6,7,8.
Exhibition:
"Contemporary
Visions '88". Three of Elsie's sculptures were exhibited, the Buffalo Spoon;
Walrus Tusk & Moose Horn; and the Mastodon sculpture. This juried exhibition
featured 25 of Canada's foremost Native Indian artists. The purpose was to promote
and raise the profile of Native Indian Art. Elsie John was the only Artist from
British Columbia to represent her region.
Held at the Government Conference
Centre, Ottawa. National Indian Arts & Crafts Corporation, Ottawa, Ontario.
1989,
August 30, September 4th. & 30th.
Honoured Guest/Presentation:
Nuu-Chah-Nulth
Nation, which has 14 tribes over a one year period have officially selected to
represent their people as Nuu-chah-nulth Role Models: Rose Elsie John and Helen
Dick were chosen. Annual Assembly was held in Port Alberni,at the Nuu-chah-nulth
conference.
1990, August 18 - 25
Honored Guest/Lecture/Exhibition:
2nd.
Annual Nuu-Chah-Nulth Cultural Camp Festival.
On traditional and contemporary
Northwest Coast Art, a meeting of Nuchatlahtz people assembled to produce a statement
of direction through Strength and Cultural Identity. Sponsored by the Nuu-Chah-Nulth
band and Chief Walter Michael. Nuchatlahtz, Vancouver Island, British Columbia.
1990,
May 22.
Documentary/Film:
Title: "OO-QUEE-YA" - Travelling in
Calm Waters. Produced for the Nuu-Chah-Nulth Health Board.
1991, June 1
& 2.
Exhibition/Juried Show:
Richmond Carvers Society, 2nd. Annual Wood
Carving Show.
In conjunction with the Steveston Salmon Festival. Entered one
carved Beaver Bowl, in Gallery. Received 1st. place for Native Art and Best of
show for its" category. Steveston Community Centre, Richmond, British Columbia.
1991,
May 13.
Slide Presentation/Lecture/Demonstration
Wickaninnish Cultural Week.
Wickaninnish Elementary School. On traditional and Contemporary Northwest Coast
Art, recent Show and Exhibitions throughout Canada and the United States. Also
as an honoured guest - Role Model. Tofino, British Columbia.
1991, March
25, 26, 27.
Exhibition/Gave Spiritual Healing Workshop:
Holistic healing
workshops, exhibition of fine art. Focus: Individual, Family and community Strategies.
Sponsored by Professional Native Women's Association - University of British Columbia.
Vancouver, British Columbia.
1991, February 19.
Presentation/Lecture:
HA-HO-PAYUK
Cultural week, NUU-CHAT-NULTH arts awareness. On traditional and Contemporary
Northwest Coast Art. Port Alberni, British Columbia. (Recorded on video)
1991-1992,
December - February.
Juried Competition for Permanent Collection:
Department
of Indian and Northern Affairs Canada. National Indian Art Acquisition, 2nd. Elsie
John's Art work "MAN AND BEAR" and "SPIRITUAL CREATURES" was
chosen by the Jury.
1992, April 15, 16, 17.
Exhibition:
45th. Annual
Northwest Anthropology Conference.
Simon Fraser University, Burnaby, British
Columbia.
1996 - 1999
Exhibition:
Native Fine Art from 10 artists,
displayed at the Govenor General of Canada's residence.
Three of Elsie John's
sculptures were displayed. Ottawa, Ontario.